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Understanding the structure of the AQA GCSE English Literature exam is the foundation of effective revision. This lesson explains exactly what each paper looks like, how many marks each section is worth, what the Assessment Objectives mean, and how to manage your time. If you know how the exam works before you walk in, you can focus entirely on writing the best possible answers.
AQA GCSE English Literature (8702) is assessed by two written exams. There is no coursework and no controlled assessment — 100% of your grade comes from these papers.
| Paper | Title | Duration | Marks | Weighting |
|---|---|---|---|---|
| Paper 1 | Shakespeare and the 19th-Century Novel | 1 hour 45 minutes | 64 marks | 40% |
| Paper 2 | Modern Texts and Poetry | 2 hours 15 minutes | 96 marks | 60% |
| Total | 4 hours | 160 marks | 100% |
AQA GCSE English Literature is a closed book exam. You are not allowed to take any texts into the exam room. This means:
Exam Tip: The closed book format makes quotation learning one of the single most important revision activities. Start memorising quotations early — do not leave it until the week before the exam.
Paper 1 is 1 hour 45 minutes long and is worth 64 marks (40% of your total grade). It has two sections.
You answer one question on the Shakespeare play you have studied.
| Feature | Detail |
|---|---|
| Question format | You are given a short extract from the play and asked a question about a theme, character, or idea |
| What you must do | Write about the extract in detail AND refer to the play as a whole |
| Marks | 30 marks for the response + 4 marks for SPaG |
| Time allocation | Approximately 50–55 minutes (including reading and planning time) |
The question will look something like this:
Starting with this extract, explore how Shakespeare presents [theme/character/idea] in Macbeth.
Write about:
- how Shakespeare presents [theme/character/idea] in this extract
- how Shakespeare presents [theme/character/idea] in the play as a whole.
You are expected to:
Exam Tip: Aim for approximately 60% extract and 40% wider play. Do not spend the entire essay on the extract alone, but equally do not skim over it. The extract is there to give you material — use it.
There are 4 marks available for Spelling, Punctuation, and Grammar (SPaG) on the Shakespeare question. These are awarded for:
| SPaG Level | Marks | Criteria |
|---|---|---|
| High | 4 marks | Spelling is consistently accurate, including complex literary terminology. Punctuation and grammar are used with consistent accuracy. Meaning is always clear. |
| Intermediate | 2–3 marks | Spelling is generally accurate. Punctuation and grammar are generally used correctly. Meaning is generally clear. |
| Threshold | 1 mark | Spelling of simple and common words is usually accurate. Some punctuation and grammar is correct. Meaning is sometimes clear. |
| No marks | 0 marks | Does not meet the Threshold criteria. |
Exam Tip: SPaG marks are easy marks. Practise spelling character names (Macbeth, Scrooge, Jekyll), author names (Shakespeare, Dickens, Stevenson), and literary terms (metaphor, soliloquy, foreshadowing) correctly.
You answer one question on the 19th-century novel you have studied.
| Feature | Detail |
|---|---|
| Question format | You are given a short extract and asked a question about a theme, character, or idea |
| What you must do | Write about the extract AND refer to the novel as a whole |
| Marks | 30 marks (no SPaG marks in this section) |
| Time allocation | Approximately 50 minutes |
The format is very similar to the Shakespeare question, but there are no SPaG marks in Section B.
Exam Tip: The 19th-century novel question tests the same skills as the Shakespeare question — close analysis of the extract, links to the wider text, and context. Practise both in the same way.
Paper 2 is 2 hours 15 minutes long and is worth 96 marks (60% of your total grade). It has three sections.
You answer one question on the modern prose or drama text you have studied.
| Feature | Detail |
|---|---|
| Question format | You are given a choice of two questions on your text — pick ONE |
| What you must do | Write an essay from memory (no extract is provided) |
| Marks | 30 marks for the response + 4 marks for SPaG |
| Time allocation | Approximately 45 minutes |
There is no extract for the Modern Texts question. You must recall the text entirely from memory. This makes thorough knowledge of your modern text absolutely essential.
The question will look something like this:
How does Priestley use the character of Mr Birling to explore ideas about social responsibility in An Inspector Calls?
Or:
How does Golding present the theme of civilisation and savagery in Lord of the Flies?
You choose one of two questions. Read both carefully before deciding — choose the one where you have the strongest quotations and arguments.
Exam Tip: For modern texts, you need to know your quotations especially well because there is no extract to fall back on. Aim to learn at least 15–20 key quotations for your modern text.
You answer one question comparing two poems from the AQA Poetry Anthology.
| Feature | Detail |
|---|---|
| Question format | One named poem is printed on the exam paper. You choose a second poem to compare it with. |
| What you must do | Compare how both poems present a particular theme or idea |
| Marks | 30 marks |
| Time allocation | Approximately 45 minutes |
The question will look something like this:
Compare how poets present ideas about conflict in 'Exposure' and in one other poem from 'Power and Conflict'.
The named poem will be printed on the exam paper, so you can analyse it closely. However, you must recall the second poem entirely from memory — including quotations.
This is one of the most important decisions you make in the exam. Choose a poem where:
Exam Tip: Before the exam, prepare a "comparison grid" — for each poem in your anthology, list 2–3 poems it pairs well with and the themes that connect them. This preparation will save you valuable thinking time in the exam.
You answer two questions on poems you have never seen before.
| Question | What you do | Marks | Time |
|---|---|---|---|
| Question 27 (or similar) | Analyse one unseen poem | 24 marks | Approximately 25 minutes |
| Question 28 (or similar) | Compare the first poem with a second unseen poem | 8 marks | Approximately 15 minutes |
You are given a poem you have never seen before and asked to analyse it. For example:
In 'The Emigree', how does the poet present feelings about a place left behind?
You should:
You are given a second unseen poem and asked to compare it with the first. For example:
In both '[Poem 1]' and '[Poem 2]', the poets describe feelings about home. What are the similarities and/or differences between the ways the poets present those feelings?
This question is worth only 8 marks, so keep your response concise and comparative. Focus on 2–3 points of similarity or difference.
Exam Tip: Many students rush through the unseen poetry section because it comes at the end of a long paper. Budget your time carefully — 32 marks is a significant chunk of Paper 2.
Every mark in the exam is awarded against one of four Assessment Objectives. Understanding these is crucial for knowing what the examiner is looking for.
AO1 is about:
What AO1 looks like in practice:
| Weak AO1 | Strong AO1 |
|---|---|
| "Macbeth kills Duncan." | "Shakespeare presents Macbeth's decision to murder Duncan as a violation of the natural order, reflecting Jacobean beliefs about divine right." |
| "The poet uses a metaphor." | "The poet's extended metaphor of the sea as a 'ravenous mouth' creates a sense of nature as an all-consuming, uncontrollable force." |
AO2 is the most heavily weighted assessment objective. It asks you to:
Exam Tip: The key word for AO2 is EFFECT. It is not enough to identify a technique — you must explain what it does, how it makes the reader feel, and why the writer chose it.
AO3 is about the relationship between texts and the contexts in which they were written. This includes:
The important thing about AO3 is that context should illuminate the text, not replace analysis of it. Do not write a paragraph of pure history — weave context into your analysis.
| Weak AO3 | Strong AO3 |
|---|---|
| "In Victorian times, women were not allowed to do much." | "Brontë's portrayal of Jane's fierce independence challenges the Victorian ideal of the submissive 'Angel in the House', reflecting growing tensions around women's roles in the 1840s." |
AO4 is assessed on two questions only:
These 8 marks are straightforward to earn if you:
Time management is one of the most common reasons students underperform. Here is a recommended timing strategy for each paper.
| Section | Task | Recommended Time |
|---|---|---|
| Section A | Read and annotate the Shakespeare extract | 5 minutes |
| Section A | Plan your Shakespeare essay | 5 minutes |
| Section A | Write your Shakespeare essay | 40–45 minutes |
| Section B | Read and annotate the 19th-Century Novel extract | 5 minutes |
| Section B | Plan your essay | 5 minutes |
| Section B | Write your essay | 40 minutes |
| Buffer / proofreading | 5 minutes |
| Section | Task | Recommended Time |
|---|---|---|
| Section A | Read both Modern Texts questions, choose one, and plan | 5 minutes |
| Section A | Write your Modern Texts essay | 40 minutes |
| Section B | Read the named poem, choose your comparison poem, and plan | 5 minutes |
| Section B | Write your Poetry Anthology comparison | 40 minutes |
| Section C, Q1 | Read the first unseen poem twice, annotate, and plan | 5 minutes |
| Section C, Q1 | Write your analysis | 20 minutes |
| Section C, Q2 | Read the second unseen poem, compare with the first | 15 minutes |
| Buffer / proofreading | 5 minutes |
Exam Tip: Practise writing to time. Set a timer and write a full essay in 45 minutes. If you consistently run over, you need to practise being more concise — four excellent paragraphs are better than six mediocre ones.
Here is the full breakdown of marks across both papers:
| Paper | Section | Text/Task | Marks | AOs Assessed | SPaG |
|---|---|---|---|---|---|
| 1A | Shakespeare | Extract + whole play | 30 | AO1, AO2, AO3 | 4 |
| 1B | 19th-Century Novel | Extract + whole novel | 30 | AO1, AO2, AO3 | 0 |
| 2A | Modern Texts | Essay from memory | 30 | AO1, AO2, AO3 | 4 |
| 2B | Poetry Anthology | Compare two poems | 30 | AO1, AO2, AO3 | 0 |
| 2C | Unseen Poetry (Q1) | Analyse one poem | 24 | AO1, AO2 | 0 |
| 2C | Unseen Poetry (Q2) | Compare two poems | 8 | AO1, AO2 | 0 |
| TOTAL | 152 | 8 |
Notice that: